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What will the next decade bring? If the recent success of The Fabelmans (2022) is any indication, audiences are hungry for authentic, ugly honesty. In that semi-autobiographical film, Steven Spielberg shows his mother (Michelle Williams) falling in love with her best friend while still married to his father. The "blending" is not a happy event; it is a schism. Yet the film doesn't judge. It accepts that modern love is chaotic, and that the "family" that emerges on the other side is simply a group of people who decided to stay in the room.