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The documentary’s subject was Sugar Rush , a manufactured boy-girl band that sold 40 million records before imploding live on a reality TV special in 2001. The director had shot hundreds of hours of footage: old VHS tapes, cell-phone backstage fights, rehab paparazzi shots, and brand-new interviews with the now-faded stars.

Maya built the narrative in three acts.

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Bruno

Défendre les couleurs d'AnimeLand était un rêve. Il ne me reste plus qu'à rencontrer Hiroaki Samura et je pourrai partir tranquille.

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