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For decades, the narrative arc of a woman’s life in cinema followed a rigid, truncate trajectory. She was the love interest, the ingenue, the young wife, or the scream queen. If she was lucky, she aged into the role of the mother, usually defined solely by her relationship to her children. And then, often before she reached her fifth decade, she seemed to vanish from the screen entirely, as if female vitality expired the moment the first wrinkle appeared.

Mature women are finally allowed to be morally gray. Nicole Kidman in The Undoing played a therapist whose life unravels, but she was not a perfect victim; she was ambitious, cold, and complicit. Glenn Close in The Wife portrayed a woman who spent 40 years simmering with resentment, eventually committing an act of quiet, devastating sabotage. These are not "likable" characters in the traditional sense. They are human. And cinema is better for it.