In The Room -2015-2015 〈GENUINE – 2027〉

Upon its release, In the Room received a polarized response.

The film serves as a ghost story without traditional ghosts. The specters here are memories. As one couple checks out and another checks in, the emotional residue of the previous occupants lingers in the air, creating a palimpsest of human experience. In the Room -2015-2015

Eric Khoo has said the film was his "love letter to lost Singapore"—a place of old hotels, smoky bars, and transient romances that gentrification has erased. For historians and cinephiles searching "In the Room -2015-2015," the film offers a unique entry point into 20th-century Singaporean social history through the keyhole of a single hotel room. Upon its release, In the Room received a polarized response

Audience reaction in Singapore was muted due to the R21 rating limiting screenings. However, the film became a cult hit on the international festival circuit (Busan, Tokyo, San Sebastian). As one couple checks out and another checks

The vignettes are strategically placed across different eras (the 1940s, 60s, 80s, and beyond), reflecting the evolution of Singapore

In the Room -2015-2015, In the Room 2015, Eric Khoo, Singaporean film, anthology erotic drama, R21 rating, Busan International Film Festival 2015, Waldorf Hotel film, Christopher Doyle cinematography.