In an era of lossy portability, Close To The Edge demands resistance. It requires you to sit still, face the speakers, and prepare for a journey. The version is the closest you will get to sitting in the control room at Advision Studios in London, 1972, as Eddie Offord pushed the faders into the red.
The 24/192 container provides a theoretical frequency response up to 96 kHz (Nyquist), far beyond human hearing (20 Hz - 20 kHz). The benefit lies in and transient accuracy during digital-to-analog conversion, reducing aliasing artifacts. Yes - Close To The Edge -2013- -FLAC 24-192-
: The high sampling rate captures the micro-dynamics of Bill Bruford’s percussion, preserving the natural decay of cymbals and the visceral "snap" of the snare. Definitive Presentation In an era of lossy portability, Close To
