Eddie Harris Intervallistic Concept Pdf Jun 2026

– Instead of thinking “C major scale,” you think “major 3rd,” “perfect 4th,” “minor 6th,” etc., moving freely across the chromatic range.

You have heard the Intervallistic Concept, even if you didn't know it. Jazz pianists like and Paul Bley used intervallic playing in the 1960s. However, Eddie Harris was the one who codified it for monophonic instruments (sax, trumpet, guitar). Eddie Harris Intervallistic Concept Pdf

Eddie Harris’s signature sound was what critics called "controlled dissonance." He would state a melodic cell (e.g., a 3rd) and then slip every note of that cell up or down a half step. – Instead of thinking “C major scale,” you

– Covers complex topics like superimposing intervals, polytonality, and asymmetrical meters. However, Eddie Harris was the one who codified

Modern players like (of M-Base) and Chris Potter often use intervallic logic to navigate "outside" playing. Even guitarists like Allan Holdsworth used a similar approach—seeing the fretboard as a grid of intervals, not a map of scales.