J.D. Chakravarthy, Manoj Bajpayee, Urmila Matondkar, and Shefali Shah
Kashyap removed the "song break" logic. Songs like "Goli Maar Bheje Mein" and "Sapne Mein Milti Hai" are not escapist breaks; they are narrative tools played on radios within the scene. The romance between Satya and Vidya (Urmila Matondkar) is awkward, real, and awkwardly staged in a middle-class building corridor. It has no business being in a gangster film, yet it makes the violence that follows unbearable.
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