In a post-#MeToo world, the film’s core question is more relevant than ever: If a man cheats on his wife with two girls who lied about their age (they claim to be 18, but look younger), should he be forgiven because he was "seduced"? Roth’s answer is a resounding .
| Film | Why | |------|-----| | Funny Games (1997 or 2007) | More polite, meta home-invasion horror | | Hard Candy (2005) | A man is psychologically tortured by a young woman he brought home | | The Gift (2015) | A couple’s past sins come home with a stranger | | Cheap Thrills (2013) | A man’s morals erode incrementally for money/favor | | Who Can Kill a Child? (1977) | The original—children become homicidal, not seductive | knock knock 2015