We are also seeing the rise of what critics cheekily call "the hagsploitation revival"—but updated for modern feminism. Shows like The White Lotus (featuring the glorious, unhinged Jennifer Coolidge) and movies like The Lost Daughter (Oscar-nominated Olivia Colman) give mature women permission to be messy, ambitious, selfish, and deeply human.
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But look at the screen today. Look at the box office. Look at the Emmys and the Oscars. We are also seeing the rise of what