If you find the file, please consider supporting the artist directly. Annette Peacock is still with us (as of this writing), and her catalog deserves legitimate reissue.
The early 1970s were a tumultuous period. Peacock had been a ghostwriter and conceptual force behind some of the most daring jazz-fusion records of the era. But I’m the One —originally released on the tiny RCA Victor imprint—was her declaration of total independence. Recorded primarily in New York and London, the album defied categorization. It wasn't rock, though it had the bite of Lou Reed. It wasn't jazz, though its harmonic structures were impossibly complex. It wasn't folk, though its lyrical confessions were raw enough to draw blood. Annette Peacock I-m The One -1972- -FLAC- Added
Bowie's guitarist covered the title track and Peacock’s arrangement of "Love Me Tender" on his 1974 solo debut, Slaughter on 10th Avenue . If you find the file, please consider supporting
Before electronic vocals became common, Peacock was already bending her voice through a Synthi AKS, creating a haunting, futuristic blend of avant-jazz, early synth art-pop, and raw emotional confession. This is the sound of someone building the road as they walk on it. Peacock had been a ghostwriter and conceptual force
All tracks were composed and arranged by Peacock, with the exception of the Elvis Presley cover. In Sheeps Clothing