described as a "travelogue of discovery" focusing on identity and purpose. The album's title is a clever play on Hank Mobley's 1963 jazz record No Room for Squares . Sonically, the record is characterized by: My Stupid Mouth
David LaBruyere’s fretless bass work is the unsung hero of this album. On "City Love," the bass slides are melodic, almost vocal. Lossy formats smear these lower frequencies into a muddy rumble. FLAC retains the articulation and warmth. John Mayer - Room For Squares -2001 Pop- -Flac ...
Listening to Room for Squares in a high-fidelity format reveals the incredible production work of John Alagía . Unlike the brickwalled, hyper-compressed pop of today, this 2001 record has "air." In a lossless format, you can hear: described as a "travelogue of discovery" focusing on