This is Brass’s most "commercial" erotic film, but it follows a prostitute named Paprika who turns the tables on her clients. It is the most plot-heavy and features the famous "mirror room" scene—pure sculptural geometry.
Ovo je omiljeni Brassov film njegovih fanova. Radnja prati prostituciju u vozovima. Vajar je ovdje briljirao jer film ima mnogo specifičnog italijanskog slenga i dijalekta kojeg inače niko ne prevodi. Glavna junakinja je Debora Kinski, kćerka Klausa Kinskog. Tinto Brass Filmovi Sa Prevodom Vajar
For the Balkan cinephile who identifies as a Vajar , Tinto Brass is the ultimate guilty pleasure without the guilt. He is the director who understood that the human body, when lit correctly and framed beautifully, is the only landscape that never gets boring. This is Brass’s most "commercial" erotic film, but