Red Giant maintains a “maintenance‑only” support tier for perpetual‑license holders (email response within 5‑7 business days). No new feature development is planned.
| Step | Tool | What Happens | |------|------|--------------| | 1. Capture | Cameras (Sony, Canon, Blackmagic) + Audio recorders (Zoom, Tascam) | Raw video files contain camera audio ; external mics produce clean audio tracks. | | 2. Ingest | DaVinci Resolve / Adobe Media Encoder | Files are transcoded to a common codec (ProRes / DNxHR). | | 3. Sync | | - Drag‑and‑drop all video & audio files into the PluralEyes window. - Click Sync → PluralEyes analyses waveforms, produces a Sync Timeline . - Export Premiere Pro XML (or AAF) → Open in NLE. | | 4. Edit | Adobe Premiere Pro / Avid Media Composer | Multi‑cam editing, cut‑away shots, etc., with perfectly aligned audio. | | 5. Finish | DaVinci Resolve (color), Audition (audio mix) | Export final master. | Red Giant Pluraleyes 3.5 Serial
Red Giant maintains a “maintenance‑only” support tier for perpetual‑license holders (email response within 5‑7 business days). No new feature development is planned.
| Step | Tool | What Happens | |------|------|--------------| | 1. Capture | Cameras (Sony, Canon, Blackmagic) + Audio recorders (Zoom, Tascam) | Raw video files contain camera audio ; external mics produce clean audio tracks. | | 2. Ingest | DaVinci Resolve / Adobe Media Encoder | Files are transcoded to a common codec (ProRes / DNxHR). | | 3. Sync | | - Drag‑and‑drop all video & audio files into the PluralEyes window. - Click Sync → PluralEyes analyses waveforms, produces a Sync Timeline . - Export Premiere Pro XML (or AAF) → Open in NLE. | | 4. Edit | Adobe Premiere Pro / Avid Media Composer | Multi‑cam editing, cut‑away shots, etc., with perfectly aligned audio. | | 5. Finish | DaVinci Resolve (color), Audition (audio mix) | Export final master. |