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Look at The Irishman (2019), where the bulk of the emotional weight rests on the strained relationship between Frank Sheeran (Robert De Niro) and his daughter, Peggy, who resents his absence and his criminal "step-uncles." Or Eighth Grade (2018), where Elsie Fisher’s Kayla lives with her single father after her mother left. The film doesn't spend 20 minutes on the backstory; it just exists in the awkwardness of a father trying to high-five a daughter who is deep in YouTube.

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Even the Marvel Cinematic Universe has dabbled in this. Avengers: Endgame (2019) features a touching, albeit brief, storyline involving Hawkeye’s family and the complexities of a superhero life, but more notably, the Ant-Man franchise revolves entirely around a functional, supportive blended family. Scott Lang (Ant-Man) and his ex-wife’s new husband, Jim Paxton, start as rivals but evolve into a cooperative parenting unit. This depiction—two fathers raising one Look at The Irishman (2019), where the bulk