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If you can clarify "mtrjm kaml may syma - may syma 1," I would be happy to revise the essay or add a section addressing those terms. Natasha (2020) Ilya Khrzhanovskiy, Jekaterina Oertel

The film’s premise is deceptively simple. Katya, a young waitress at the institute’s canteen, is summoned to the cramped, dingy apartment of Tanya, a mid-level scientific administrator. Tanya is lonely, bitter, and wields petty authority. She subjects Katya to a prolonged, invasive interrogation, forcing her to strip, perform humiliating acts, and confess to imagined transgressions. The power dynamic is never physically violent in a conventional sense, yet it is devastatingly effective. Tanya’s weapon is psychological: the relentless exploitation of her positional power over Katya’s livelihood. The audience watches not a fight, but a systematic erosion.