Yet, Sorogoyen refuses to let the audience sit comfortably. As the film progresses, we see the desperation of the brothers. They are not psychopaths for the sake of evil; they are animals cornered by economic collapse. Their father committed suicide; their friends have all emigrated. To them, the French outsider who blocks their only ticket to financial freedom is a parasite.
Sorogoyen utilizes a fractured narrative structure to divide the film into two distinct segments: the escalating masculine tension and the subsequent stoic female endurance. pelicula as bestas