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Director Jang Jae-hyun uses the gravedigging process ( exhuming as the title suggests) as a metaphor for unearthing national shame. The film draws clear parallels between violating a burial site and Korea’s historical violations under colonial rule. The "curse" is not merely supernatural—it is repressed history returning as violence. "Exhuma
Digging Up the Past: Postcolonial Trauma and Geomancy in Jang Jae-hyun's Exhuma (2024) Abstract: This paper analyzes how Exhuma uses Korean traditional beliefs (geomancy, shamanic ritual) as allegories for unresolved Japanese colonial violence. Through close reading of the film's excavation scenes and the guts ritual, the author argues that the undead samchung general represents state-sanctioned historical erasure. The film's climax — re-burying the corrupted corpse — mirrors South Korea's incomplete reckoning with pro-Japanese collaborators. The "curse" is not merely supernatural—it is repressed