This tonal schizophrenia confuses the audience. One moment, Abhay is joking about breaking a groom’s leg; the next, he is brooding over his mother’s death. The screenplay (written by Sanjeev K. Jha) also sidelines Parineeti’s character for a 30-minute stretch, reducing her to a damsel in distress.
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The background score, by , is functional but derivative—borrowing heavily from typical masala film tropes. This tonal schizophrenia confuses the audience
| Actor | Role | Performance Notes | |-------|------|-------------------| | | Abhay Singh | Malhotra delivers a physically commanding performance, complete with a Bihari accent and rustic swagger. However, critics noted his dialogue delivery felt inconsistent. | | Parineeti Chopra | Sanjana ‘Sanju’ | Chopra brings energy and spunk, reminiscent of her early career. Her comic timing is sharp, but her character arc is underdeveloped. | | Aparshakti Khurana | Sattu (Abhay’s sidekick) | The scene-stealer. Khurana provides genuine laughs and emotional grounding. | | Sanjay Mishra | Dharam Singh (Abhay’s father) | Mishra is wasted in a poorly written role, but he adds gravitas whenever on screen. | | Javed Jaffrey | Pappi | A caricature-like villain. Jaffrey hams it up intentionally, but the character feels out of place. | | Chandrachur Singh | Sanjana’s father | A sincere performance in a thankless role. | Jha) also sidelines Parineeti’s character for a 30-minute
The film revolves around the practice of (forced marriage) or Pakadwa Vivah [1].