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Prior to 1999, CGI characters were largely confined to fantasy worlds (like Jurassic Park ’s dinosaurs or Toy Story ’s plastic toys). Stuart Little 1999 dared to place a photo-realistic, fur-covered CGI mouse in a live-action New York City, interacting directly with human actors.
Over two decades later, looking back at Stuart Little 1999 reveals not only a charming family adventure but a pivotal moment in visual effects history.