INFORMACIÓN

La revista Psicothema fue fundada en Asturias en 1989 y está editada conjuntamente por la Facultad y el Departamento de Psicología de la Universidad de Oviedo y el Colegio Oficial de Psicología del Principado de Asturias. Publica cuatro números al año.
Se admiten trabajos tanto de investigación básica como aplicada, pertenecientes a cualquier ámbito de la Psicología, que previamente a su publicación son evaluados anónimamente por revisores externos.

PSICOTHEMA
  • Director: Laura E. Gómez Sánchez
  • Periodicidad:
         Febrero | Mayo | Agosto | Noviembre
  • ISSN Electrónico: 1886-144X
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  • Dirección: Ildelfonso Sánchez del Río, 4, 1º B
    33001 Oviedo (España)
  • Teléfono: 985 285 778
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  • Email: psicothema@cop.es

Carlota Joaquina- Princesa Do Brazil

She never saw the final victory of her liberal rivals. She was buried at the Monastery of São Vicente de Fora in Lisbon.

Upon returning to Portugal in 1821, she became a leading voice for absolutism Carlota Joaquina- Princesa do Brazil

Despite her political failures, Carlota Joaquina left an indelible mark on Brazil. She is often portrayed as a villain: a scheming, cross-dressing (she reportedly loved to wear men’s military uniforms), aggressive woman who openly loathed her husband and encouraged her children to revolt against him. She never saw the final victory of her liberal rivals

If you visit Rio de Janeiro today, the ghost of Carlota Joaquina lingers. You can walk the gardens of the Quinta da Boa Vista , now the National Museum (tragically damaged by fire in 2018), where she once plotted to steal two crowns. You can visit the Paço Imperial, where she argued with Lord Strangford in fluent French and Spanish. And you can read her letters—sharp, obsessive, brilliant—scattered in archives from Seville to São Paulo. She is often portrayed as a villain: a

But while her grand schemes failed, her influence on Brazil was profound. She was not a beloved queen; the people of Rio whispered that she was a witch, a shrew, a madwoman. But she was also a force of nature. She insisted on Brazilian products being used in the palace, from sugar to fine woods. She was one of the first to truly appreciate the tropical land, riding horses through the countryside with a boldness that scandalized the delicate courtiers. In her own furious, ambitious way, she helped break the rigid mold of European court life, forcing it to adapt to a raw, new world.