Masterclass - Martin Scorsese Teaches Filmmakin... Extra Quality (QUICK)

In the acting module, he rails against directors who try to "show" the actor how to cry or punch. He argues that the director’s job is to create the environment and the psychology .

For the beginner, this is disorienting. You came to learn about dolly shots; he is teaching you about John Ford’s framing of a doorway. But for the intermediate filmmaker stuck in a rut, this is the antidote to technical obsession. Scorsese forces you to realize that technique without perspective is just noise. MasterClass - Martin Scorsese Teaches Filmmakin...

The crown jewel of the course is the . Here, Scorsese does not talk abstractly. He pulls up sequences from his own filmography and classic films that inspired him. He uses the MasterClass proprietary "Side-by-Side" technology to overlay his voice directly onto the timeline of the film. In the acting module, he rails against directors